In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby-whom Nick had idolized at Oxford-and Catherine, highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family. His two vividly contrasting love affairs, one with a young black clerk and one with a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to Nick as the desire for power and riches among his friends. Richly textured, emotionally charged, disarmingly comic, this U.K. bestseller is a major work by one of our finest writers. Alan Hollinghurstis the author of three previous novels,The Swimming-Pool Library,The Folding Star, andThe Spell. He has received the Somerset Maugham Award, the E. M. Forster Award of the American Academy of Arts and Letters, and the James Tait Black memorial Prize for Fiction, and he was shortlisted for the Booker Prize in 1994. He lives in London. Winner of the 2004 Man Booker Prize for Fiction ANew York TimesNotable Book of 2004 It is the summer of 1983, and twenty-year-old Nick Guest has moved into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby whom Nick had idolized at Oxford and Catherine, highly critical of her family's assumptions and ambitions, who becomes both a friend to Nick and his uneasy responsibility. As the boom years of the mid-eighties unfold, Nick, an innocent in matter of politics and money, becomes caught up in the Feddens' world its grand parties, its surprising alliances, its parade of monsters both comic and menacing. In an era of endless possibility, he finds himself able to pursue his own private obsession with beauty a prize as compelling to him as power and riches are to his friends. An affair with a young black clerk gives him his first experience of romance, but it is a later affair with a beautiful millionaire that will change his life more drastically and bring into question the larger fantasies of a ruthless decade. Framed by the two election that returned Margaret Thatcher to power,The Line of Beautyunfurls through four extraordinary years of change and tragedy. Richly textured, emotionally charged, disarmingly funny, this is a major work by one of our finest writers. Winner of the 2004 Man Booker Prize for Fiction ANew York TimesNotable Book of 2004 "In this saga about the Thatcher years Alan Hollinghurst writes harsh but deeply informed social satire from within, just as Proust did. Hollinghurst is never mocking or caricatural but subtly observant and completely participant. He writes the best prose we have today." Edmund White "This is the fourth novel by one of the best stylists in the English language and winner of this year's Booker Prize. It has a well-developed plot and a large cast of characters at the center of which is a young man searching for love and purpose in Margaret Thatcher's England. But the rich Tories and bitter Laborites battling for control of Britain's soul take a back seat to the book's elegant but sturdy prose, which is as finely crafted as an ornamental design on an old vase or in the stonework of a church portal." Michael Shelden,The Baltimore Sun "In this saga about the Thatcher years Alan Hollinghurst writes harsh but deeply informed social satire from within, just as Proust did. Hollinghurst is never mocking or caricatural but
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Among its other wonders, this almost perfectly written novel, recently longlisted for the Mann Booker, delineates what's arguably the most coruscating portrait of a plutocracy since Goya painted the Spanish Bourbons. To shade in the nuances of class, Hollingsworth uses plot the way it was meant to be used-not as a line of utility, but as a thematically connected sequence of events that creates its own mini-value system and symbols. The book is divided into three sections, dated 1983, 1986 and 1987. The protagonist, Nick Guest, is a James scholar in the making and a tripper in the fast gay culture of the time. The first section shows Nick moving into the Notting Hill mansion of Gerald Fedden, one of Thatcher's Tory MPs, at the request of the minister's son, Toby, Nick's all-too-straight Oxford crush. Nick becomes Toby's sister Catherine's confidante, securing his place in the house, and loses his virginity spectacularly to Leo, a black council worker. The next section jumps the reader ahead to a more sophisticated Nick. Leo has dropped out of the picture; cocaine, three-ways and another Oxford alum, the sinisterly alluring, wealthy Lebanese Wani Ouradi, have taken his place. Nick is dimly aware of running too many risks with Wani, and becomes accidentally aware that Gerald is running a few, too. Disaster comes in 1987, with a media scandal that engulfs Gerald and then entangles Nick. While Hollinghurst's story has the true feel of Jamesian drama, it is the authorial intelligence illuminating otherwise trivial pieces of story business so as to make them seem alive and mysteriously significant that gives the most pleasure. This is Nick coming home for the first and only time with the closeted Leo: "there were two front doors set side by side in the shallow recess of the porch. Leo applied himself to the right hand one, and it was one of those locks that require tender probings and tuggings, infinitesimal withdrawals, to get the key to turn." This novel has the air of a classic. Agent, Emma Parry. (Oct.) Forecast: Widely praised for his three previous novels, Hollinghurst (The Swimming-Pool Library) is primed for even greater acclaim and sales with this masterful volume, the latest in a wave of Jamesian novels. Copyright 2004 Reed Business Information.
From: Reed Elsevier Inc.
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