Like Michael Cunningham inThe Hours,Colm Tóibín captures the extraordinary mind and heart of a great writer. Brilliant and profoundly moving,The Mastertells the story of Henry James, a man born into one of America's first intellectual families two decades before the Civil War. James left his country to live in Paris, Rome, Venice, and London among privileged artists and writers.In stunningly resonant prose, Tóibín captures the loneliness and longing, the hope and despair of a man who never married, never resolved his sexual identity, and whose forays into intimacy inevitably failed him and those he tried to love. The emotional intensity of Tóibín's portrait of James is riveting. Time and again, James, a master of psychological subtlety in his fiction, proves blind to his own heart and incapable of reconciling his dreams of passion with his own fragility.Tóibín is "a great and humanizing writer" who describes complex relationships in "supple, beautifully modulated prose" (The Washington Post Book World). InThe Master,he has written his most ambitious and heartbreaking novel, an extraordinarily inventive encounter with a character at the cusp of the modern age, elusive to his own friends and even family, yet astonishingly vivid in these pages.
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It's a bold writer indeed who dares to put himself inside the mind of novelist Henry James, but that is what Toibin, highly talented Irish author of The Heather Blazing and The Blackwater Lightship, has ventured here, with a remarkable degree of success. The book is a fictionalized study, based on many biographical materials and family accounts, of the novelist's interior life from the moment in London in 1895 when James's hope to succeed in the theater rather than on the printed page was eclipsed by the towering success of his younger contemporary Oscar Wilde. Thereafter the book ranges seamlessly back and forth over James's life, from his memories of his prominent Brahmin family in the States including the suicide of his father and the tragic early death of his troubled sister Alice to his settling in England, in a cherished house of his own choosing in Rye. Along the way it offers hints, no more, of James's troubled sexual identity, including his fascination with a young English manservant, his (apparently platonic) night in bed with Oliver Wendell Holmes and his curious obsession with a dashing Scandinavian sculptor of little talent but huge charisma. Another recurrent motif is James's absorption in the lives of spirited, highly intelligent but unhappy young women who die prematurely, which helped to inform some of his strongest fiction. The subtlety and empathy with which Toibin inhabits James's psyche and captures the fleeting emotional nuances of his world are beyond praise, and even the echoes of the master's style ring true. Far more than a stunt, this is a riveting, if inevitably somewhat evasive, portrait of the creative life. Agent, Peter Straus at Rogers, Coleridge & White (June) Forecast: This is too subtly shaded and leisurely for some fiction readers, but James's many admirers will be drawn to its many insights and its uncanny recreation of his world. Five-city author tour. Copyright 2004 Reed Business Information.
From: Reed Elsevier Inc.
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Dublin journalist, travel book writer, and novelist (his Blackwater Lightship was short-listed for the 1999 Booker Prize), Toibin here turns a life-long obsession with Henry James into a scrupulously researched and artfully rendered biographical novel. Fear not, fervent Jamesians, no attempt has been made to imitate the master's inimitable style. Even when the narrator takes us inside the mind of James, circa 1890s, Toibin's prose is largely straightforward even as the subject matter discursively wanders the streets and beau monde residences of Paris, Dublin, London, Rome, Venice, and James's English home, Lamb House, in Rye, Sussex. From the subtle machinations of James's closeted homoerotic sensibilities, to his intense friendships with both men and women, to his angst over the notorious failure of his only performed drama, Toibin excels at showing us (not telling us, as James himself advised in his seminal essay, "The Art of Fiction") the connections between James's life and his fictional oeuvre. Highly recommended for most fiction and all literary fiction collections. [Previewed in Prepub Alert, LJ 2/1/04.] Mark Andr? Singer, Mechanics' Inst. Lib., San Francisco Copyright 2004 Reed Business Information.
From: Reed Elsevier Inc.
Copyright Reed Business Information
Award-winning writer and literary critic Colm Tóibín was born in Enniscorthy, Ireland in 1955. He studied history and English at University College Dublin, earning his B.A. in 1975. After graduating he moved to Barcelona for three years and taught at the Dublin School of English.
In 1978 Tóibín returned to Dublin and began working on an M.A. in Modern English and American Literature. He wrote for In Dublin, Hibernia, and The Sunday Tribune. Tóibín became the Features Editor of In Dublin in 1981, and then a year later accepted the position of Editor for the Irish current affairs magazine Magill.
His first book, "Walking Along the Border," was published in 1987, and his first novel, "The South," debuted in 1990. Tóibín wrote for The Sunday Independent as a drama or television critic and political commentator. He has penned several more novels and a travel book, plus edited anthologies and a book of essays, created a play, and written regularly for The London Review of Books.
Tóibín's second novel, "The Heather Blazing," received the 1993 Encore Award, and "The Master" achieved the 2006 International IMPAC Dublin Literary Award, the Los Angeles Times Novel of the Year, the Stonewall Book Award, and the Lambda Literary Award.
Tóibín has been a visiting professor or lecturer at many American universities. In recognition of his contribution to contemporary Irish literature, he received the honorary degree of Doctor of Letters from the University of Ulster in 2008.
(Bowker Author Biography)
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