"In America" is Susan Sontag's bold, brilliant bestselling novel -- a kaleidoscopic portrait of America on the cusp of modernity. As she did in her enormously popular novel The Volcano Lover; Sontag casts a story located in the past in a fresh, provocative light to create a fictional world full of contemporary resonance.
In 1876 a group of Poles led by Maryna Zalezowska, Poland's greatest actress, emigrate to the United States and travel to California to found a "utopian commune". When the commune fails, Maryna stays, learns English, and -- as Marina Zalenska -- forges a new, even more triumphant career on the American stage, becoming a diva on par with Sara Bernhardt.
Operatic in the scope and intensity of the emotions it depicts, richly detailed and visionary in its account of America, and peopled with unforgettable characters, In America is Susan Sontag's largest, most astonishing achievement.
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As she did in The Volcano Lover, Sontag crafts a novel of ideas in which real figures from the past enact their lives against an assiduously researched, almost cinematically vivid background. Here again her signal achievement is to offer fresh and insightful commentary on the social and cultural currents of an age, with a distinctive understanding of how historical events forged character and destiny. If the story of renowned Polish actress Maryna Zalewska cannot compare in drama to that of Admiral Nelson and the Hamiltons (as a protagonist, Maryna remains somewhat shadowy and elusive), Sontag succeeds in conveying how the political and intellectual atmosphere of Poland and the U.S. in the late 19th century affected her heroine's life. Beautiful, famous and restless at 35, Maryna decides to leave her native land, suffering under Russian occupation. She convinces her husband, Count Bogdan Demboski, her would-be lover, journalist Ryszard Kierul, and various other members of the Warsaw intelligentsia to emigrate to America, where, influenced by Fourier's social philosophy, they will establish an experimental farm commune in southern California. Predictably, the community fails to prosper and falls into debt; idealism gives way to disillusionment; Maryna decides to resume her career, achieving immediate acclaim; and the romantic triangle moves to a new stage. Meanwhile, Sontag makes meaningful associations between a woman's need for freedom and independence, a nation's suffering under a conqueror's heel and the common human quest for "newness, emptiness, pastlessness... this dream of turning life into pure future" that colored many immigrants' views of America. She leads readers into the book via a long, breathless, one-paragraph prologue, narrated as if in a fever dream; indeed, it is not until many pages into the novel that the date and the geographical setting are established. Exemplary at imagining an actor's needs, impulses and sources of inspiration, Sontag also conveys the theatrical world of the time (East Lynne was the most popular play; Sarah Bernhardt reigned in Paris) almost palpably. There are few dramatic peaks and valleys in Maryna's story, but the historical backdrop--with pithy and evocative descriptions of American cities at the turn of the last century, cameo portraits of salty frontier types, and snippets of Western lore--supplies the vigor that the main plot often fails to engender. While this book does not exert the passionate energy of The Volcano Lover, it is a provocative study of a woman's life and the historical setting in which she moves. Author tour; U.K. rights to Jonathan Cape. (Mar.) Copyright 2000 Cahners Business Information.
From: Reed Elsevier Inc.
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A great Polish actress looks for utopia in the American West.
From: Reed Elsevier Inc.
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Susan Sontag, an influential cultural critic with a Harvard master's degree in philosophy, is noted for taking radical positions and venturing outrageous interpretations. Proclaiming a "new sensibility," she supported the cause of pop art and underground films in the 1960s. Her reputation as a formidable critic has been established by numerous reviews, essays, and articles in the New York Review of Books, the N.Y. Times, Harper's, and other periodicals. Against Interpretation (1966) includes her controversial essay "Notes on Camp," first published in Partisan Review. The title of the book introduces her argument against what she sees as the distortion of an original work by the countless critics who bend it to their own interpretations. "The aim of all commentary on art," she writes, "should be to make works of art---and, by analogy, our own experience---more, rather than less, real to us." Sontag has a mature modernist sensibility, but manages to depict the avant-garde in language accessible to any reader. She has lectured extensively around the United States and has taught philosophy at Harvard, Sarah Lawrence, and Columbia. She is a frequent and popular television discussion personality, particularly on contemporary issues of illness or feminism, although many feminists are unhappy that she does not declare herself to be a "feminist critic." She is also, less successfully, a fiction writer. (Bowker Author Biography) Susan Sontag has written many books, most recently "In America", which won the 2000 National Book Award in Fiction.
(Publisher Provided) Critic and writer Susan Sontag was born in New York City on January 16, 1933. She earned her B.A. from the University of Chicago and did graduate work in philosophy, literature and theology at Harvard University and Saint Anne's College, Oxford. She is the author of 17 books including four novels, a collection of short stories, several plays, and eight works of nonfiction. Her stories and essays have appeared in numerous magazines including The New Yorker, The New York Review of Books, The Times Literary Supplement, and Art in America. She has also written and directed four feature films and stage plays in the United States and Europe. She has received numerous awards including the 2003 Peace Prize of the German Book Trade, the 2003 Prince of Asturias Prize, the 2001 Jerusalem Prize, the 2000 National Book Award for In America, and the 1978 National Book Critics Circle Award for On Photography. She died from leukemia on December 28, 2004.
(Bowker Author Biography)
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