A searing, postapocalyptic novel destined to become Cormac McCarthy s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, each the other s world entire, are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. From the Hardcover edition.
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McCarthy's latest novel, a frightening apocalyptic vision, is narrated by a nameless man, one of the few survivors of an unspecified civilization-ending catastrophe. He and his young son are trekking along a treacherous highway, starving and freezing, trying to avoid roving cannibal armies. The tale, and their lives, are saved from teetering over the edge of bleakness thanks to the man's fierce belief that they are "the good guys" who are preserving the light of humanity. In this stark, effective production, Stechschulte gives the father an appropriately harsh, weary voice that sways little from its numbed register except to urge on the weakening boy or soothe his fears after an encounter with barbarians. When they uncover some vestige of the former world, the man recalls its vanished wonder with an aching nostalgia that makes the listener's heart swell. Stechschulte portrays the son with a mournful, slightly breathy tone that emphasizes the child's whininess, making him much less sympathetic than his resourceful father. With no music or effects interrupting Stechschulte's carefully measured pace and gruff, straightforward delivery, McCarthy's darkly poetic prose comes alive in a way that will transfix listeners. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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McCarthy has written two survival tales, with unnamed characters traveling westward through desolate landscapes. Mercifully unique, Blood Meridian (1985) pre-sents gruesome horror as literary Western, sketching the adventures of an unidentified teen who joins a marauding gang of scalp hunters in the 1850s Southwest. The first three hours are a tour de force of sustained repellency, piling atrocity upon atrocity before settling into a more sustainable rate of a massacre or two per chapter. McCarthy's achievement here is his prose, not quite biblical, not quite Faulknerian, much of it unfamiliar enough to sound made up. Reader Richard Poe groans the lines, and if he only uses a few voices, most of the characters seem meant to be indistinguishable. Widely regarded as a modern classic, however unpleasant, this title belongs in most library collections. Bleak as it is, Road seems much more palatable in comparison, offering compassion in the person of a dying father who protects and cares for his son as they travel through a world shattered by an unexplained apocalypse. Starving and exhausted, they travel to the Pacific, scavenging food when they can and keeping other rapacious, cannibalistic survivors at bay. The boy tells himself they're the "good guys" and "carry the flame," but the father does what he must to survive. Veteran reader Tom Stechschulte navigates McCarthy's arcane language, emphasizing the pair's shared tenderness, in a wonderfully moving tale. Road's Pulitzer Prize and Oprah selection speak for themselves; essential.-John Hiett, Iowa City P.L. Copyright 2007 Reed Business Information.
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Cormac McCarthy was born in Providence, Rhode Island on July 20, 1933. He attended the University of Tennessee, but interrupted his studies for four years to join the U.S. Air Force.
His first novel, The Orchard Keeper, was published in 1965. His other works include Outer Dark, Child of God, Suttree, and Blood Meridian. All the Pretty Horses, the first part of the Border Trilogy, which also includes The Crossing and Cities of the Plains, won the National Book Award in 1992. His novel No Country for Old Men was adapted into a film in 2007. He won the Pulitzer Prize in 2007 for The Road. He has also written plays and screenplays.
(Bowker Author Biography)
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